鄒德儂文集

第一篇 建筑藝徒的學(xué)習(xí)記憶
Chapter 1 Reminiscences of Learning as a Student Majored in
Architecture
1．不棄愚鈍，點(diǎn)化成形——領(lǐng)受徐中老師給我改圖
Never Disliking Foolishness and Always Turning a Crude Work into a Polished One ——
Appreciating the Correction for My Design by Professor Xu Zhong
2．一個(gè)建筑藝徒對(duì)現(xiàn)代建筑思想的探求
Exploitation and Pursuit of Modern Architectural Thought by a Student Majored in Architecture
3．一個(gè)建筑藝徒的美術(shù)情結(jié)
A Student Majored in Architecture with Strong Interest and Feeling in Art
4．四方工廠師友多
So Many Teachers and Friends in Sifang Locomotive & Rolling Stock Works

第二篇 中國(guó)現(xiàn)代建筑史研究
Chapter 2 Research of History of Chinese Modern Architecture
1．他為中國(guó)現(xiàn)代建筑史研究奠基——跟龔德順大師學(xué)習(xí)中國(guó)現(xiàn)代建筑史的日子
Master Gong Deshun Laid the Foundation for the Research of History of Chinese
Modern Architecture ——The Days Studied with Him
2．中國(guó)現(xiàn)代建筑史（1949 － 1984）的分期及其他
Period Division of History of Chinese Modern Architecture (1949-1984) ， etc.
3．論中國(guó)現(xiàn)代建筑史起始期的確定
Confirming the Beginning of History of Chinese Modern Architecture
4．二十世紀(jì)中國(guó)現(xiàn)代建筑概述（第一部分 中國(guó)內(nèi)地）
Brief Introduction to Chinese Modern Architecture in 20th Century
(Part I China Mainland )
5．未來(lái)的歷史是今天：緊急呼吁保護(hù)20 世紀(jì)50 年代以來(lái)的現(xiàn)代建筑遺存
History of Future is Today： Urgent Appeal for Protection of the Modern Architectural
Heritage since 1950s
6．文化底蘊(yùn)，流傳久遠(yuǎn)——再讀文遠(yuǎn)樓
Cultural Essence Reaching Far —— Rereading Wen Yuan Building
7．利用中的保護(hù)，保護(hù)中的效益——談澳門建筑遺存的開(kāi)發(fā)性保護(hù)
Protection in Utilization， Benefits in Protection —— About Developing Protection of
Architectural Heritage in Macao
8．在國(guó)際性和國(guó)家性建筑框架里的中國(guó)現(xiàn)代建筑
Chinese Modern Architecture in International and National Architectural Frame
9．一個(gè)進(jìn)步的創(chuàng)作趨勢(shì)——談建筑中象征和隱喻的概念與近來(lái)的實(shí)踐
A Progressive Creation Tendency ——About Symbolism and Metaphor in Architecture
and Recent Practice
10．中國(guó)地域性建筑的成就、局限和前瞻
Protection in Utilization， Benefits in Protection —— About Developing Protection of
Architectural Heritage in Macao
11．二十年艱辛話進(jìn)退——中國(guó)當(dāng)代建筑創(chuàng)作中的模仿和創(chuàng)造
About Progress and Backwardness in 20 Years Hardships and Difficulties ——Imitation
and Creation in Chinese Modern Architecture
12．“適用、經(jīng)濟(jì)、美觀”三要素三為一體 —— 全社會(huì)應(yīng)當(dāng)共守的建筑原則
Combination of the Three Elements“Suitability， Economy and Beauty” ——
Architectural Principle Should Be Followed by the Whole Society
13．20 世紀(jì)50 至80 年代中國(guó)建筑的現(xiàn)代性探索
Exploration of Modernity of Chinese Architecture in 1950s-1980s
14．向未來(lái)展示什么樣的建筑
What Kind of Architecture to Show to the Future
15．一個(gè)時(shí)代的社會(huì)變革，一個(gè)甲子的建筑進(jìn)步——紀(jì)念中國(guó)建筑60 年
Social Transformation of an Age and Architectural Progress —— Commemorating 60
Years of Chinese Architecture

第三篇 現(xiàn)代建筑理論與評(píng)論
Chapter 3 Modern Architectural Theory and Comment
1．舊題新探——談建筑設(shè)計(jì)教學(xué)與生產(chǎn)任務(wù)的結(jié)合
New Exploration of the Old Issue ——About Combination of Architectural Design
Teaching and Production Task
2．建筑理論、評(píng)論和創(chuàng)作
Architectural Theory， Comment and Creation
3．莫為建筑添蛇足
Not Adding Something to Architecture as Adding Feet to a Snake
4．“真實(shí)”是建筑藝術(shù)的品格
“Truth” ——The Quality and Style of Architecture
5．建筑師的心愿：請(qǐng)社會(huì)理解建筑
Aspiration of Architects： Please Understand Architecture
6．可知、可行是建筑理論的必備品格 —— 再談引進(jìn)外國(guó)建筑理論的經(jīng)驗(yàn)教訓(xùn)
The Understandable and the Practicable is the Essential Quality and Style of
Architectural Theory —— The Second Talk about the Experience and Lesson of
Introducing Foreign Architectural Theoriesr
7．優(yōu)秀建筑論 —— 淡化“風(fēng)格”“流派”，創(chuàng)造“優(yōu)秀建筑”
About Excellent Architecture —— Weakening“Style”or“ School”，
Creating“Excellent Architecture”
8．“基本功”與“創(chuàng)造力”—— 建筑設(shè)計(jì)“三段教學(xué)體制”構(gòu)想
“Basic Skills” and “Creativity” ——Conception about“Three Steps of Teaching
System” of Architectural Design
9．論布正偉建筑師的創(chuàng)作理論體系《自在論》
About“Free and Easy”Creative Thinking System by Architect Bu Zhengwei
10．中國(guó)現(xiàn)代建筑理論的解困——五談引進(jìn)外國(guó)建筑理論的經(jīng)驗(yàn)教訓(xùn)
Dealing with the Difficult Situation of Chinese Modern Architectural Theory ——The Fifth Talk
about the Experience and Lesson of Introducing Foreign Architectural Theories）
11．話說(shuō)建筑的表情
Talking about Expression of Architecture
12．一個(gè)虛幻的神話——“天人合一”說(shuō)解決城市生態(tài)危機(jī)置疑
An Illusory Fairy Tale——Doubts about Solving Ecological Crisis of Cities by“Unity of
Heaven and Man”
13．梁思成建筑理論的魅力和境遇——紀(jì)念梁思成先生誕辰100 周年
Fascination and Circumstances of Architectural Theory of Liang Sicheng ——
Commemorating the One Hundredth Birthday of Liang Sicheng
14．當(dāng)代建筑理論的再定位
Anticipated Conformity of Various Theories —— Establishing Architectural Theory
Frame on the Thought Platform with Chinese Characteristics
15．理論萬(wàn)象的前瞻性整合——建筑理論框架的建構(gòu)和中國(guó)特色的思想平臺(tái)
Fascination and Circumstances of Architectural Theory of Liang Sicheng ——
Commemorating the One Hundredth Birthday of Liang Sicheng
16．引進(jìn)外國(guó)建筑理論20 余年之再思索——寫在改革開(kāi)放30 年之際
Rethinking about Introducing Foreign Architectural Theories over 20 Years —— Writing
at the Moment of 30 Years of “Opening and Reforming”
17．何苦言必稱“世紀(jì)”
Why Always Say“Century”

第四篇 中外現(xiàn)代建筑之比較
Chapter 4 Comparison between Chinese Modern Architecture and Foreign
Modern Architecture
1．一個(gè)似曾相識(shí)的理論——關(guān)于后現(xiàn)代主義
A Seemingly Familiar Theory ——About Post-modernism
2．兩次引進(jìn)外國(guó)建筑理論的教訓(xùn) —— 從“民族形式”到“后現(xiàn)代建筑”
Lessons from Twice Introducing Foreign Architectural Theories —— From“National
Form”to“Post-modern Architecture”
3．從現(xiàn)代藝術(shù)看解構(gòu)主義：遲到了的“反形式”和“純建筑”
Looking Deconstruction from Modern Art ： the Late“Deform”and“Pure Architecture”
4．從半個(gè)后現(xiàn)代到多個(gè)解構(gòu)——三談引進(jìn)外國(guó)建筑理論的經(jīng)驗(yàn)教訓(xùn)
From Half Post-modernism to Multi-deconstruction —— The Third Talk about the
Experience and Lesson of Introducing Foreign Architectural Theories
5．蘇州平江歷史街區(qū)保護(hù)規(guī)劃的戰(zhàn)略思想及理論探索
The Explorations on the Strategic Thinking and Theory of the Conversation Planning
for the Historic Quarters of Pingjiang， Suzhou
6．回歸第三世界 回歸基本目標(biāo)
Returning to the Third World， Returning to the Basic Goal
8．從先鋒建筑手法的標(biāo)新立異看建筑創(chuàng)作的進(jìn)步和倒退
Observing Progress and Retrogression of Architectural Creation from Novelty and
Originality of Avant-guard Architectural Approach
9．呼喚開(kāi)放的社團(tuán)精神！——紀(jì)念當(dāng)代建筑文化沙龍成立10 周年
Calling for the Open Spirit of Society！—— Commemorating the 10th Anniversary of
the Founding of Contemporary Architectural Salon
10．外國(guó)建筑師作品的引進(jìn)：經(jīng)驗(yàn)在形式之外
Introduction from Works of Foreign Architects： Experience beyond Form
11．印度與西方現(xiàn)代建筑的對(duì)話
Dialogue between India Modern Architecture and Western Modern Architecture
12．隔而不絕，交而待融 ——中外建筑文化交流50 年
Separation without Isolation， Communication Expecting Combination——50 Years of
Communication between Chinese and Foreign Architectural Culture
13．城市特色何處尋
Where to Find Characteristics of Cities
14．尊重世界，尊重自己：對(duì)偽歐陸風(fēng)的換位批評(píng)
Respecting the World， Respecting Ourselves： Criticism to False European Style from
Reverse Perspective

第五篇 對(duì)吳冠中藝術(shù)的觀察
Chapter 5 Observation of the Art of Wu Guanzhong
1．建筑師與現(xiàn)代藝術(shù) —— 現(xiàn)代藝術(shù)中的創(chuàng)造精神
Architects and Modern Art —— Creative Spirit in Modern Art
2．吳冠中藝術(shù)對(duì)建筑師的啟示 —— 關(guān)于引進(jìn)外國(guó)建筑理論問(wèn)題的思考
Revelation of the Art of Wu Guanzhong to Architects — About Thinking of the Problem
of Introducing Foreign Architectural Theory
3．為現(xiàn)代性而戰(zhàn)斗：吳冠中藝術(shù)的第一品格
Struggling for Modernity： the First Quality and Style of the Art of Wu Guanzhong
4．《看日出：吳冠中老師 66 封信中的世界》序言
Preface to“ Observing the Sun Rising： the World in 66 Letters of Wu Guanzhong”